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“Okonkwo” As A Tragic Hero In The Things Fall A Part


 Name : Jethwa Monali A
Paper 14 :- The  Affrican Literature
Topic  : “Okonkwo”  As  A Tragic Hero  In The Things Fall A Part by Albert Chinualumogu Achebe.
Roll No: 19
Submitted: Dept .Of .English
                  M.K.B.U
Email Id: monalijethwa19@gmail.com









Introduction  About Author :-







·         Albert Chinualumogu Achebe was born on November 16, 1930, in Ogidi, a large village in Nigeria. Although he was the child of a Protestant missionary and received his early education in English, his upbringing was multicultural, as the inhabitants of Ogidi still lived according to manyaspects of traditional Igbo (formerly written as Ibo) culture.

·         Achebe attended the Government College in Umuahia from 1944 to 1947. He graduated from University College, Ibadan, in 1953. While he was in college, Achebe studied history and theology. He also developed his interest in indigenous Nigerian cultures, and he rejected his Christian name, Albert, for his indigenous one, Chinua.






 Okonkwo as Tragic Hero:-








  

·         In Chinua Achebe’s novel, Things Fall Apart, Okonkwo plays the role of a tragic hero destined to fall from his lofty titles. From a small child, he struggled to be the opposite of his father. When working to be successful, Okonkwo “threw himself into it like one possessed. And indeed he was possessed by the fear of his father’s contemptible life and shameful death.”
·         The protagonist of Things Fall Apart, Okonkwo is also considered a tragic hero. A tragic hero holds a position of power and prestige, chooses his course of action, possesses a tragic flaw, and gains awareness of circumstances that lead to his fall. Okonkwo's tragic flaw is his fear of weakness and failure.
·          Although his father was ill-fated in the eyes of the tribe and his own son, he contained something that Okonkwo never had: humility and happiness in simple things. Even when they took Unoka, his father, away to be left in the evil forest to die, he took his flute, a source of happiness. So Okonkwo with his characteristics doomed for tragedy, led a seemingly successful life, though a tragic flaw of pride and wrong decisions robbed him of his self fantasized gilded life. 




·         Since tragedy involves the "fall" of a tragic hero, one theory is that one must have a lofty position to fall from, or else there is no tragedy (just sorrow). Another explanation of this characteristic is that tragedies involving people of stature affect the lives of others. In the case of Okonkwo, the tragedy did not only involve him and his family, it also involved the whole society.
·         In his thirties, Okonkwo is a leader of the Igbo community of Umuofia. Achebe describes him as "tall and huge" with "bushy eyebrows and [a] wide nose [that gives] him a very severe look." When Okonkwo walks, his heels barely touch the ground, like he walks on springs, "as if he [is] going to pounce on somebody." Okonkwo "stammers slightly" and his breathing is heavy.

·          In Chinua Achebe’s novel, Things Fall Apart, Okonkwo plays the role of a tragic hero destined to fall from his lofty titles. From a small child, he struggled to be the opposite of his father. When working to be successful, Okonkwo “threw himself into it like one possessed. And indeed he was possessed by the fear of his father’s contemptible life and shameful death.”

·          Although his father was ill-fated in the eyes of the tribe and his own son, he contained something that Okonkwo never had: humility and happiness in simple things. Even when they took Unoka, his father, away to be left in the evil forest to die, he took his flute, a source of happiness. So Okonkwo with his characteristics doomed for tragedy, led a seemingly successful life, though a tragic flaw of pride and wrong decisions robbed him of his self fantasized gilded life.






·         Since tragedy involves the "fall" of a tragic hero, one theory is that one must have a lofty position to fall from, or else there is no tragedy (just sorrow). Another explanation of this characteristic is that tragedies involving people of stature affect the lives of others. In the case of Okonkwo, the tragedy did not only involve him and his family, it also involved the whole society.

Okonkwo is renowned as a wrestler:-



·         Okonkwo is renowned as a wrestler, a fierce warrior, and a successful farmer of yams (a "manly" crop). He has three wives and many children who live in huts on his compound. Throughout his life, he wages a never ending battle for status; his life is dominated by the fear of weakness and failure. He is quick to anger, especially when dealing with men who are weak, lazy debtors like his father.

·          However, Okonkwo overcompensates for his father's womanly (weak) ways, of which he is ashamed, because he does not tolerate idleness or gentleness. Even though he feels inward affection at times, he never portrays affection toward anyone.

·         Instead, he isolates himself by exhibiting anger through violent, stubborn, irrational behavior. Okonkwo demands that his family work long hours despite their age or limited physical stamina, and he nags and beats his wives and son, Nwoye, who Okonkwo believes is womanly like his father, Unoka.

·         Okonkwo is a man of action, a man of war and a member of high status in the Igbo village. He holds the prominent position of village clansman, due to the fact that, he had shown incredible prowess in two intertribal wars.

·         Okonkwo’s hard work had made him a wealthy farmer and a recognized individual amongst the nine villages of Umuofia and beyond. Okonkwo’s tragic flaw is not that he was afraid of work, but rather his fear of weakness and failure that stems from his father’s, Unoka, unproductive life and disgraceful death.



·         “…his whole life was dominated by fear, the fear of failure and weakness…….
                It was not external but lay deep within himself. It was the fear of himself,
               lest he should be found to resemble his father.”
·         Okonkwo is impulsive; he acts before he thinks. Consequently, Okonkwo offends the Igbo people and their traditions as well as the gods of his clan. Okonkwo is advised not to participate in the murder of Ikefemuna, but he actually kills Ikefemuna because he is "afraid of being thought weak." When the white man brings Christianity to Umuofia, Okonkwo is opposed to the new ways. He feels that the changes are destroying the Igbo culture, changes that require compromise and accommodation — two qualities that Okonkwo finds intolerable.
.



·         Too proud and inflexible, he clings to traditional beliefs and mourns the loss of the past. When Okonkwa rashly kills a messenger from the British district office, his clansmen back away in fear; he realizes that none of them support him and that he can't save his village from the British colonists. Okonkwo is defeated.

·       In His Father's Shadow: Okonkwo the Haunted Son

·         Okonkwo is a man's man; powerful, dominating, and fearsome. However, it's all an act; a mask he's created to hide the fact that he's running from the memory of his father, Unoka.


·         Unoka was everything a man in Okonkwo's culture is not supposed to be. He was lazy, weak, and an absentee father and husband; he owed debts and never worked to repay them; he was artistic, weeping over music and poetry. He was a village laughingstock and not a man at all in Okonkwo's mind.

·         In trying to prove to the world--and to him that he is nothing like his weak, slovenly, laughable father, Okonkwo becomes a bully and a hothead. His desperation to escape the shame of his father in fact binds him even more tightly to him, coloring everything Okonkwo does, thinks, and feels.
·         He wants nothing more than to be a true man--which to Okonkwo means beings a strong man--and in that desperation, everything else falls away: love, compassion, patience, gentleness, wisdom. Okonkwo spends his entire life destructively wrestling with ghosts and boxing with shadows.
·          In the process, like a true tragic hero, his greatest strength--his masculine power--also becomes his greatest weakness, the Hamartia, or fatal flaw that leads to his destruction.
·         In the end of the novel, the District Commissioner tells of the novel he is writing called The Pacification of the Primitive Tribes of the Lower Niger, and how Okonkwo’s story would be a perfect edition. The title of the book is a prophesy of what is to come for the fated African tribe. He commits suicide, a shameful and disgraceful death like his father's.







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