ROLL NO: 23
TOPIC: WILLIAM WORDSWORTH CRITICAL THEORY
SUBMITTED: MAHARAJAKRISHNAKUMARSHINJI
BHAVNAGAR UNIVERSITY
DEPT.OF, ENGLISH
SEM: 1 M.A
Wordsworth, William, 1770–1850,
English poet, b. Cockermouth, Cumberland. One of the great English poets, he
was a leader of the romantic movement in England.
Wordsworth's finest good things done was that his simple time of
being young readied his mind to the value of the non-artificial and he was not
slow to value the need for a change for the better of "words of deep
feeling, great thought" language.
great thoughts in verse became a nearest and near experience told
by the experiencer. that making a thing beautiful was to be had high opinion of
for its own purpose of. Wordsworth's dependence on natural make a public
statement and acting and his deep strong belief that simpleness of living was a
philosophy 1 harmoniously in agreement with nature worked a circle of events
in words of deep feeling, great thought values. His opening part to the full of
feeling simple songs became the symbol 2 and
the instrument of story of love, great doings disgust.
Wordsworth's philosophy 1 of living, his theory of great thoughts in verse, and his
political credo were all complex connected. A change in one characteristically
brought parallel changes in the others ,the writer of verse discovered himself
without a low value, put (thoughts) out of mind from the homes of his ones in
family relation, made bitter by the excesses of the violent change of
government in France, and with danger on all sides by personal 3 fears and uncertainties.
He became a part of the so-named Godwin circle in London. William
Godwin, the political philosopher 4 and fiction writer, had
great regret about the part of emotion5 in man-like affairs and claimed safe from destruction untrained only in reason made errorless by education.
Wordsworth began a serious reading of Godwin and soon worked out to let go his
early simple-minded dependence on intuition 6 and subject 7 all
his beliefs to close looking into details.
For four years, he gripped tenaciously to his Godwinian outlook
until he nearly had pain, trouble of a fearful breakdown. And his great
thoughts in verse let go on as an outcome of his philosophy 1. He said of some of wrongdoing and sadness that its word use was
"with violent tendencies" and the details "frequently
false." The Borderers, from the same a certain year, is so not natural in tone8 in connection with be making sad, unhappy. Wordsworth turned back to
nature and her healthy teachings. "The tables turned" and
"argument and answer" are both anti-intellectual in tone 8 and
condition of mind, and signal 9 the
last break with Godwinism. It chanced that David Hartley, starting person of
the associationist 10 school in psychology 11 his views were adjusted after in the social 12 philosophy 1 of the Utilitarians who at the short time taken up Coleridge's
attention, had gave in detail views which Wordsworth much-desired matched his
very own. Hartley put deep making a point of on general condition in the
forming, outlining of personality 13.
He was an empiricist in the tradition of Locke. He had won vogue for his expert knowledge in giving
sense of words the theory of the association 14 of ideas into a psychology 11 of learning. Wordsworth had been looking for a pleasurable psychology 11, and this was it. Hartley taught that sensations 15 (chief, basic ideas) produced shaking in the fearful system. He
kept (with Locke) that the mind was a "space writing-board" until sensation 16 introduced simple ideas into it; for this reason, sensation 16 was the base of all knowledge. The debt to Hartley is clear
throughout full of feeling simple songs.
nature, Wordsworth reasoned, teaches the only
knowledge important to all persons as a group. The man-like beings who had this
full of force knowledge would be those nearest to nature the farmers and keeper
of sheep of the stretch of country. So it was to making, be moving in the visions 17 of
people like this that he turned in full of feeling simple songs.
The persons judging
immediately jumped at upon him, saying, in effect, he did not have knowledge of
great thoughts in verse from agronomy 18, after that he reissued the verses and added his having a bad
name opening part, which detailed the persons judging (though not in certain
words) that it was they who were completely without knowledge of the true
nature of great thoughts in verse. Coleridge, Wordsworth, and his sister
Dorothy made system design a make error from Alfoxden, where they lived, to The
Valley of stones, near Lynmouth, in Devon
. They put forward meeting expenses for the small go with quick
delicate steps by writing a verse, "The Rime of the AncyentMarinere,"
and putting forward it to the monthly paper book coming out regularly in the
hope of getting five units of weight. Wordsworth early had doubts and took away
from authorship because he feared that he would bad work the verse. He was in
the process of writing his own verses, and the 2 men constantly aired their
views on the nature of great thoughts in verse and the words of deep feeling,
great thought university teachers.
The 2 men went well together each other. Coleridge thought in terms
of quick and very bright in general and Wordsworth thought somewhat ploddingly
and on condition that an of great value belief to detail. together, they
thought the story of love, great doings signs making clear which was to make
brighter great thoughts in verse from that day to this, Coleridge with his
sizeable knowledge of German most important philosophy 1 in which signs of view things with love were already clear, and
Wordsworth with his expert at tricking being conscious of the quality of
producing uncommon effects of the commonplace. They got a common (to 2 or more)
(coming of) water over land of power of invention
. It was Coleridge who after urged Wordsworth on with The first
part and certain him to undertake The person kept-away. Coleridge's those in
existence at the time put forward it was not possible not to map on a sizeable
and outline scale while under his power over. Out of the discussions between
the 2 men about what great thoughts in verse rightly would to be and how it
should act on its public came a growing desire on the part of the 2 writers of
verse to do work together on an amount of verse. They took up a division of
work in which Coleridge would attempt through words of deep feeling, great
thought means to make the uncommon (of forces outside of the natural order)
able to have belief in; Wordsworth would attempt to make the common uncommon
through simple but meticulous details of everyday things.
The decision to be guided by these belief, opinion amounted to the
fanfare announcing the story of love, great doings disgust
in English literature 2. full of feeling simple songs became both the special sign and
instrument of that violent change of government.
Thus was disclosed the order for medical substance which
was to keep great thoughts in verse and prose through story of love, great
doings, fact-based one, and of-the-day sides (of a question), and which gives
them to this very day; the evocation of feeling and inculcation of most
important being conscious through the able-at-art observation of nearest
experience. The spearhead and chief apparatus for this process was going to be
an of government change sort of words of deep feeling, great thought word use
for which Wordsworth was to become greatly respected. The first form rules to
make was rather unworked, and it underwent great change at the hands of the
writers of verse as they went forward. Coleridge became less and less made come
round of its power as an able-at-art person used by another and finally said
has not it completely, saying that he and Wordsworth might have subscribe to it
in theory but fell far short of making use of it in fact.
Wordsworth himself felt that his work was a shining
representative of the body of teaching as well as a vindication and never
completely let go it. The second one printing of full of feeling simple songs
appeared in 2 volumes in 1800 in Wordsworth's name by oneself. In the name not
given 1798 one printing, there had been an only "advertisement" to
east the reader to the verses; in 1800, the greatly respected "opening
part" took its place. Wordsworth notes that friends had urged him to write
an arguments for person whom law process is against of the group, but he had a
better opinion of to write instead a "simple" opening.
This turned out to be a somewhat long account of the writer of
verse's attempt to write in a way till now unknown. He gives a detailed account
of great thoughts in verse as the acting without conscious thought give
over-much of feelings. great thoughts in verse is not dependent upon over-blown
art of talking and of writings apparatuses, but is the free look of the writer
of verse's thought and feeling. The writer of verse is a teacher and must
attempting to give knowledge of truth, not through scientific 3 observations and idea, not fact, but through a with power of
invention being conscious of persons and things. He may widen and make better
off our man-like sympathy 4 and our pleasure of nature in this way. He must exchange his
ideas and feelings through a powerful re-creation of the first form experience.
For this, he must have a power of (delicate) feeling far beyond that of the
normal person.
He tells how he waste plants taken out the dead sayings from the
older words of deep feeling, great thought range of words and used for another
the flesh-and-blood language of the common person. great thoughts in verse and
prose, he says, be different from only in connection with existence or being
away of rhyme; they do not be different from in
connection with language. For Wordsworth, the important thing was the feeling
got worked up by the verse, not the verse itself (for this reason his not very
warm in connection with for form).
In the last observations, a verse Re 5stimulated past feeling in the reader and gave a
higher position learning by using pleasure as a vehicle. Coleridge remarked
that half the opening part was in fact the very young person of his own brain.
still, he felt that there was much that was not (good) enough in the printed
material. He felt that Wordsworth's idea of great thoughts in verse was
dependent on too much on Hartley's theories 6 and did not adequately give an account of Wordsworth's verses.
Coleridge says in the BiographiaLiteraria that he was made come round
Wordsworth's work was not the product of simple desire greatly, but of mind
picturing a full of ideas, and not an only associative, faculty.
in addition, he thought the point or amount unlike between great
thoughts in verse and prose was important, and it put in the different ways
they gave attention to the same person. He agreed with Wordsworth's idea of not
beautiful words of deep feeling, great thought word use but felt his
like-positioned person had not given enough thought to selecting from the
language of everyday living.
He thought Wordsworth's great thoughts in verse reached a true
sublimity when he most out of mind his own ideas. Wordsworth's position in his
later work grew closer to that of Coleridge. But the words of deep feeling,
great thought bodies of teaching done in the opening part solidly put under
full of feeling simple songs and were the springboard to the expanded philosophy 1 of art
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